Licence To Spill Presents...
The Campaign
In May 2010, a group calling themselves Liberate Tate released black helium balloons carrying ‘oil-slicked’ dead fish and model birds to the upper airspace of Tate Modern’s Turbine Hall during the gallery’s BP sponsored birthday party. A movement was born. Gushing from floral skirts, spilling elegantly from giant white eggs, jetting from paint tubes across the floor of the iconic Tate Turbine Hall, the flood of oily resistance that followed has generated a fierce debate in the art world around oil, ethics and sponsorship.
Impressed, PLATFORM stepped up to argue the case, launching the campaign Licence to Spill, with support from over 171 artists. We argue that the oil corporations' stamp on these hefty cultural institutions buys it a badge of acceptability, a social licence to operate. This quietly smooths over decades of ecological damage and devastating impacts on communities that are living with oil extraction.
The Project
In January 2011, during five days in a Central London art space, we will exhibit artifacts, images and videos from the work of the Liberate Tate collective, and host workshops to actively engage the public. We will explore the power of aesthetic interventions to disturb, re-vision and re-form the relationships between artist, institution, sponsor and viewer. This project is about celebrating resistance to big oil sponsorship deals. It’s about creating a dynamic and exciting space for people to learn, discuss, make, plot, strategize and empower themselves. We believe art is not just a mechanism to reveal the world, but also a force to change it. We will widely promote and advertise the event to ensure that the mainstream art world engages with the issues, and that their is a visible point for new people to get involved in whatever way they can.
In a time of massive public funding cuts in the we know this campaign is going to face critics. But if artists fold at the feet of big oil when they flash their cash, who exactly do we expect will stand up to them?
About Us
From rivers in Nigeria, to Arctic waters, to the Gulf of Mexico, oil companies destroy communities and ecosystems to boost their profits, while the planet's ecosystem slides ever closer to climate chaos. PLATFORM combines the transformatory power of art with the tangible goals of campaigning, the rigour of in-depth research with the vision to promote futures beyond oil.
What We Need
We need £2000 (because this site is based in the USA we have converted the amounts to US dollars, but you can pay in £ and we will get £) to rent a space, print images of the actions into canvases, buy materials, advertise widely and produce an electric participatory exhibition. We also plan to produce a book of postcards of images from the interventions, for people to send and share and spread the campaign messages.
Videos and stills from the various Liberate Tate performances can be seen in the 'Gallery' section.
We are committed to ethical sponsorship and would be delighted to receive your support. PLATFORM is a registered charity (no 1044485).
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Algriht alright alright that’s exactly what I needed!
I thought it was going to be some bnorig old post, but it really compensated for my time. I will post a link to this page on my blog. I am sure my visitors will find that very useful
Arina: I got you email address Honestly, I have no clue how many pics we add hehe. A ton! And I have a ton of pics on my comupter I have yet to add. I try to add some every day. Tathy is from Brazil and i’m from the States neither of us are from England.
Arina: I got you email address Honestly, I have no clue how many pics we add hehe. A ton! And I have a ton of pics on my comupter I have yet to add. I try to add some every day. Tathy is from Brazil and i’m from the States neither of us are from England.
Arina: I got you email address Honestly, I have no clue how many pics we add hehe. A ton! And I have a ton of pics on my comupter I have yet to add. I try to add some every day. Tathy is from Brazil and i’m from the States neither of us are from England.
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Getting older can not be stopped on its trakcs. But with suitable pores and skin care products and the correct anti-aging cream, amazing results could be seen in just several weeks. The results become more visible with normal use. It’s advised though that when using anti-aging wrinkle cream, the entire kit of exactly the same product must be employed.
Getting older can not be stopped on its trakcs. But with suitable pores and skin care products and the correct anti-aging cream, amazing results could be seen in just several weeks. The results become more visible with normal use. It’s advised though that when using anti-aging wrinkle cream, the entire kit of exactly the same product must be employed.